Venice, The Foundry, The Ghetto

Islands pepper the well known Venetian lagoon, but canals and rivulets divide within the city proper into islands as well. Venice set aside one of those islands, site of a copper foundry, as the Jewish quarter 501 years ago. I toured it in fascination during my rambles a few years ago; I went back the next day. The Venetian Ghetto was and continues to be a vibrant center of Jewish culture.

The Ponte Vecchio Ghetto, once gated and locked at night. The multi-stories are a clue you are entering the ghetto.

Though confined to their own quarter, Venetian Jews enjoyed relatively more freedom than they did in other parts of Europe—if being relieved from the threat of forced conversion (such as they faced in Rome or Spain in the 1500s) or pogroms (such as took place in Germany and elsewhere) can be considered freedom. The resulting influx of people swelled the population of that confined area from about 700 in 1516 when it began to several thousand a century later. Jews from Germany, Spain, France, and the Ottoman Empire joined the original Italian population. The resulting cultural exchange unleashed a flowering of learning, publishing, and art unparalleled in Europe.


Scola Canton, 1532, at top with skylight in the older courtyard

This cultural outburst can be seen today in the five existing scola—their preferred designation for synagogues—in the ghetto, one for each of the main ethnic groups. You can visit them today, but don’t expect grand façades. Visitors are unlikely to identify more than one of them with the naked eye. In the ghetto, lacking space, building tended to be upward resulting in some of the tallest buildings in Venice. The oldest synagogues are on second stories, as a result. It would be a mistake to assume them to be simple or plain, however. The residents built them with all the care a place of worship deserves, often hiring the same artists and architects that built the great churches such as Santa Maria della Salute. When the door opens you will want to gasp. (Photos of the interiors are rare. See link below) The Jewish Museum of Venice conducts tours of three of the synagogues.

Freedom is, of course, relative. Venetian Jews were required to wear distinctive high pointed red or yellow hats to distinguish them from Christians as they were throughout Europe. They were confined to a narrow choice of professions, some menial such as cloth or fur selling. Money lending, forbidden to Christians, was crucial in the Venetian economy. (You may recall The Merchant of Venice) Jewish physicians held the position of highest esteem. Physicians were permitted to wear black hats. They could move about freely, but were all locked in at sunset.


Many questions swirl around the ghetto’s history.

Ghetto Frankfurt

The Judengasse in Frankfurt 1883

Was it the first Jewish Ghetto, as is often said? The Frankfurter Judengasse or “Jew’s Alley” in Frankfurt Germany predates it by at least fifty-five years. The Venetian one became the pattern for later ghettoes.

Was Venice the source of the word ghetto? Many people believe so, but the etymology is unclear. The metal foundries and the copper foundry that existed there before the Jews arrived were known as the ghèto in Italian. Some other word origins have been suggested as well, however.

Was its creation an act of persecution? Not initially. Venice pushed all foreigners into the nearby quarter. It is believed that Jews themselves asked for their own place. The bridges onto the island were gated. The gates were locked at night and opened at dawn. They may have served as much for protection as confinement. The residents were charged for the cost of guards and security.

Ghetto VeniceWhen were the gates removed? Napoleon took Venice in 1797 and he demanded that the gates come down almost immediately.

Is the ghetto still a Jewish center? The entire population of Venice is in decline, with tourists greatly outnumbering the residents, and the Jewish quarter is no exception. Families may not live in the old ghetto, but many maintain membership in the synagogues and attend, some regularly, some annually, especially for high holy days. There are Jewish schools, bakeries, galleries, and shops to this day, and it is a place of pilgrimage for Jews world wide.

If you visit, begin at the museum. Its collection is spectacular and you will want to book a tour.

For photos of the synagogues’ interiors see:

“The synagogues of the Jewish Ghetto of Venice,” Venezia da Vivere, Accessed October 2, 2017

For more on the history see:

Laskin, David, “500 Years of Jewish Life in Venice,” New York Times, March 9, 2016 Accessed October 2, 2017

Virtual Jewish World: Venice,, Accessed October 5, 2017

Worrall, Simon, “The Centuries Old History of Venice’s Jewish Ghetto,” Smithsonian Journeys Quarterly, November 5, 2015, Accessed October 2, 2017

Caroline Warfield writes historical romance in which she nudges her characters to explore the riskiest territory of all, the human heart. In addition to History Imagined, she is a regular contributor to The Teatime Tattler, a blog in the shape of a fictional nineteenth century scandal sheet.

The result of her Venice ruminations, Lady Charlotte’s Christmas Vigil, about an English lady and an handsome Italian doctor, comes out this month. The hero’s esteemed colleague, Judah Ottolenghi, is a Jewish physician.

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